My screenwriting style leans into authentic dialogue, dynamic character relationships, and moments that explore the humor and drama of everyday life. Whether it’s the raw tension and fraternity dynamics in Hell Night or the heartfelt mix of humor and grief in Two Things Can Be True, my scripts aim to create worlds that feel real and characters who resonate. I love crafting narratives that balance heavy themes with levity, offering both reflection and entertainment. I don’t thI hope they connect with audiences in a way that feels honest and engaging.